As Sydney Contemporary 2017 settles down after a five day whirlwind art affair, it is interesting to think what the lasting effects of the art fair will be. What will crowds remember this year?

There are many candidates. The installation, ‘Red Room’, by Hiromi Tango; a scarlet installation room bursting with tactility, and aimed at children. Richard Lewer’s ‘Confessions’: a wall dedicated to everyday confessions such as “I’ve yelled at telemarketers.” Can Xin performance ‘Art Speaks in Tongues’ - where the artist licked objects given to him by a fascinated crowd as a means of artistic expression.

But for us at Art Pharmacy and Culture Scouts, the artwork of choice will definitely be the socially poignant installation, #WeLiveHere2017.

The installation is on a massive scale, just up the road from our gallery, and seen from the Redfern Station platform. Residents of the Matavai & Turanga Towers were issued with a coloured light, which they used in their windows. Instead of hiding away unnoticed, the tall buildings and their residents are now accentuated in the cityscape by the flickering and changing coloured lights.

The overall effect is startling and beautiful; with the multi-patterned glow transforming these omnipresent Redfern buildings.

“The lights are on. Somebody’s home.”

Residents of the Waterloo public housing are no stranger to uncertainty, with plans to demolish the estate for new housing on the cards, meaning current residents may have to move away.

This artwork serves as a reminder to the city - a “highlight(ing of) their presence”.

So take a wander over there - you can see the lights nightly until 1 October.

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